In May 2024, WIC spotlighted women who work at the intersection of technology and art. Held at the National Gallery of Australia (NGA), this event highlighted the vital role women played in bringing “Body Sculpture” by American artist Jordan Wolfson’s to life.
This large-scale animatronic artwork, featuring a robotic arm and a cube, captivated audiences with its intricate and sometimes emotional choreography.
What made the event unique was its focus on the women working behind the scenes to ensure that this massive, multi-faceted piece of art functioned flawlessly. From tracking the robot’s vitals using specialized software to maintaining its intricate systems, the women in tech were responsible for solving real-time challenges during the performance. Their stories were shared in a panel discussion, demonstrating the expertise and problem-solving skills required to maintain such a complex work of art.
The panel was moderated by Jade Carson, CIO of the NGA and WIC Committee member, with guests Sally Brand – NGA complex artistic project manager, Jessica Smith – NGA cyber security manager and Neve Foxcroft Wolfson maintenance technician.
Jordan Wolfson’s Body Sculpture offered the perfect backdrop for discussing how robotics, AI, and digital tools are being integrated into contemporary art, and the critical role women play in these developments. Whether in the tech trenches or the art gallery, it was clear that women are driving innovation and creativity in both industries. The event exemplified how the intersection of art and technology is opening new doors, and women are not just participating—they’re leading the way.
The WIC event at the National Gallery was more than a celebration; it was a statement about the importance of diversity in tech and the arts. It underscored how essential women are in shaping the future of both worlds and left many attendees inspired to continue pushing the boundaries of what’s possible in their respective fields.
The event was featured in the Canberra Times and Broad Agenda.
